Showing posts with label The Art Group. Show all posts
Showing posts with label The Art Group. Show all posts

Wednesday, June 29, 2011

X-Dots for the Library


I just finished the posters for this years fundraiser for the Gafney Library. I made a collaged version on foam board for display in the library, and then I made a Photoshop version for printing and posting. I used some of my marker dots cut into quarters and rotated 45 degrees to form flashing white X's as the decoration.


This year there are 57 local artists donating their work which will be on display in the library for most of July. Raffle tickets are $1. so if you find yourself in Wakefield, take a chance!

Monday, January 3, 2011

Whispering In the Closet


The Art Group will be showing new work at the Gafney Library during the month of February. This is good. I have a definite deadline for the work in progress. That said, I have spent the day so far exploring tangents, one in particular.

I wanted to title this post: "A Collage Artist and Former Librarian Considers ETEWAF (Everything That Ever Was--Available Forever)" but it was too long. I credit the blog Retrospace for starting me off in this direction. The idea of having access to every book ever written is a librarian's dream. And what collage artist wouldn't like to have access to every image that ever was, printed with indelible ink on acid-free paper?

But, reading further in Wired Magazine and Inhabitatio Dei, I began to ask myself if this ETEWAF phenomenon is really such a good thing. The comments on the Inhabitatio Dei post were instructive, leading me to consider the book Dialectic of Enlightenment by Theodor Adorno and Max Horkheimer, the chapter titled "The Culture Industry: Enlightenment as Mass Deception" in particular.

And if all of that didn't give me enough to think about, I also stumbled upon a summary of Walter Benjamin's essay titled "The Work of Art in The Age of Mechanical Reproduction." Does making use of found images in collage result in the loss of "aura" that Benjamin discusses?

Time will tell. Bottom line is I have four works in progress for the February show and damn little progress has been made so far today!

Wednesday, October 7, 2009

Cameron Gray

I credit fellow Art Group-er Charles Kartsonis with influencing me to design with tiles. It's such a natural progression from my quilting days.

I just happened upon the amazing compositions of Cameron Gray over at the Carl Hammer Gallery in Chicago. At first I thought they were made up of painstakingly cropped found images, carefully chosen for their color. But actually, each tile is an original oil painting produced specifically for the work.

Sunday, June 28, 2009

Collaged Poster with Encyclopedia Dots

I have been making a poster for the art raffle fundraiser for the Gafney Library. My task was to create a design that would accommodate the names of the 38 artists who are donating work for the event. I'd planned to take photos to document every step, but as I got closer to finishing I couldn't break the momentum to stop and take pictures. I was under a little deadline pressure as well.

Working on a piece of 24x30 inch canvas board, I arranged 16 large circles (using a dvd as a template) to begin the design. I envisioned the names as radiating out from the center of the circles. There needed to be space for 38 names. I printed them out in Photoshop along with the text for the bottom of the poster. At first some names were displayed on the diagonal but I finally settled on a design where all the names were at right angles:

I had recently rescued a set of encyclopedias with the covers missing from the paper dumpster at the town dump. I was attracted to the lovely colors (lots of yummy yellow) of the endpapers and thought that recycled books would be appropriate for a library related event. I had seven front pages like this:

And also seven back pages like this:

I traced my dots to include my favorite parts and was able to get two dots (each yielding four quarters) from each page. The part that took the most time was deciding on the arrangement of the quarters. When I finally got a satisfactory arrangement, I photographed the piece and looked at it on the computer screen from across the room to check the light and dark areas. The hardest part was deciding which quarter to place in the central position. Here's an early arrangement:

All of the words and the encyclopedia pages were coated on both sides with acrylic medium and trimmed:

Then they were put in place on the canvas board which had previously received two coats of medium. I ironed the surface in one step to adhere the elements to the canvas board, using a large sheet of silicone paper to protect the surface from being marked by (and sticking to) the iron.

Then I used blue painter's tape to mask the outside edges of the main design and layed down some .5mm white cotton cord to delineate the boundry of the white space behind the names, taping down the ends of the cord on the painter's tape. I locked the cords into place by covering the square area of the design with a sheet of very thin Japanese white tissue. I applied acrylic medium with a small brush over the entire surface, being particularly careful of the area around the string. This made the top layer virtually disappear and allowed the colors underneath to show through. Then I trimmed the ends of the cord even with the thin tissue and removed the painter's tape.

My last design task was to make a decision about the small dots at the intersection of the names. After playing around with different versions in photoshop, I decided to use two contrasting colors in order to have alternating colors at the four corners to create some movement:

I selected dark blue and pink from my stash of colored endpapers (to comply with the recycled book theme). Dots were punched using an arch punch from coated paper, set in place, and adhered with an iron.

As a final step I applied two more coats of acrylic medium to the entire poster, allowing it to dry thoroughly between coats. The design reminds me of those Yo-Yo quilts where you gather circles of fabric and attach them at the edges.

Saturday, November 15, 2008

Valerie's Got a Gun

Today I attended the artists' reception for The Art Group. First prize went to Charles Kartsonis of Lynn, Massachusetts for his collage (pictured above) titled "Valerie's Got a Gun." Valerie Solanas, a feminist writer, gained noteriety for shooting artist Andy Warhol in 1968.
Above is an installation shot. Sanbornville artist Dawn Rancourt's assemblage "The Future is Back" attracted a lot of attention, as did Norman Royle's mixed media "A Garden Palette".
Pictured above is Mabel Doyle's oil painting titled "Autumn Leaves. And the watercolor below titled "Homage to Malevich" was done by West Newfield artist Peter Abate. Peter organized the show. Thanks for all of your hard work, Peter! There are 35 pieces in all. I wish more of my photos came out but it was a difficult assignment to shoot with interior lights and windows reflecting off of the picture glass! So you will have to visit the Gafney Library in Sanbornville to see all these innovative works. "Constantly Risking Absurdity In The Realm of Abstraction" will be on display through December 5th.

Tuesday, November 11, 2008

Save the Date


This Saturday (November 15th) is the artists' reception for The Art Group's abstract show "Constantly Risking Absurdity" at the Gafney Library featuring the work of 19 artists. The reception will be held from 11:00 to 2:00 and I hope to be there at least part of the time. Last Saturday was a busy one at Anita's Beads and I hate to be closed too long. With luck I'll be able to arrange for a friend to fill in at the shop for me. The library is less than a mile over the hill from here so come up to Wakefield, New Hampshire before the snow starts flying!

Saturday, November 1, 2008

Feng Shui Mishaps at the Library

Two of my latest pieces, both combinations of collage and acrylic painting, are part of "The Art Group" show now through December 5th at the Gafney Library. They are spin-offs (I'm not sure if I actually like that term) of one of my earliest collages, "Feng Shui Mishap No. 20" . The first, "Feng Shui Mishap No. 665" (8x10 inches) is pictured above. It was done more or less as a study. I figured I'd start with a little corner first, and if that worked out OK, I'd go for the whole thing.

The second piece (16x20 inches) is called "Avaricious Transgressor (Feng Shui Mishap No. 666)". I have to admit that I surprised myself with this one, and although that big red cross in the middle started feeling like a big mistake, by the time I finished I was glad I kept it there. I went slowly, learned a lot in the process, and even managed to sneak in a few dots!