

Here's an old digital collage that inspired two versions.
The plain "houndstooth" version above, and this "tilted diamond with dots" version. Booth in Sampler No. 2 at Spoonflower.








It really pays to shuffle through stuff every few years. I totally forgot that I had some old issues of The Youth's Companion from 1868. I found 20 issues in all. The illustrations are absolutely wonderful. The two below remind me a lot of Edward Gorey. The "Child in Peril" was a popular theme in his work as it was also with the writers and illustrators of the Companion.




Also worth visiting is Caring for Your Collections by the Library of Congress. Thanks to OldImprints.com for pointing the way.
Cleaning out I found a folder with the back story materials for my collage, pictured above, titled A Sad Infatuation (Divorce Diptych No. 2). The work is on two panels of 16x16 inches each. I even wrote a little essay about it, back before I started blogging. So here it is, edited a little, and with illustrations added. The three pages of the original magazine article are larger images than I normally post so click on them to read them for yourself.
The photograph on the second page of a handsome young black man with a demure well-dressed white woman certainly caught my eye.
And then I read the story. . . unbelievable! Interracial Courtship and Cannibalism: shocking stuff even by today's standards in my neck of the country, and I was looking at the Sunday Supplement of a city newspaper published over 100 years ago. I wondered how my grandmother Blanche's mother, my great-grandmother Clothilde, might have reacted to such a sad tale. It is altogether possible that she could have read this very same article in her Salem, Massachusetts parlor some Sunday afternoon a century ago.
In 1899, a South African showman called Frank Fillis chartered a liner and filled it with two hundred Africans, assorted whites, countless animals and a man who claimed to be the son of the Matabele King, Lobengula. Then he brought all these ingredients together at Earl's Court in London, in a show called Savage South Africa, which combined re-enactments of the Matabele Wars of the 1890s and a "Kaffir Kraal," where the British public could wander among Africans in their natural settings. At first all went well. But then the star of the show, Prince Lobengula, caused a scandal by trying to marry a pretty, respectable, white girl, Kitty Jewell - the daughter of a Cornish mine engineer, whom he had met in South Africa. The Daily Mail raised an outcry against the behavior of women visitors to the show who were "weakening the Empire" by being over familiar with the semi-naked Africans. This is the story of the doomed love affair between Kitty Jewell and Peter Lobengula. It is at once a heart-breaking love story, a historical mystery, and a window into popular racism, popular journalism, and feminism in the 1890s.