First Collage Circa 1970

Here's my old room in my parent's house in Danvers with my first collage on the walls. It was done back in the days when I had no clue what collage was! (Same cat pictured twice; I forget its name now.)

Oh Look, It's the Nylon Lady!

So nice to find the same photograph that I used in my collage titled "Easy to Adjust." I think my attraction might be due to the fact that she resembles my mother.

Perry's Nut House Re-Visited

These photographs were taken on the second floor of Perry's Nut House (postcard views here) probably around 1990 or so.

Take Your Own Picture

Are these "Take Your Own Picture" booths still around? I haven't seen one lately! It took a while to locate these photos which were taken in the machine at Salem Willows. These are of my daughter and me, back in the early 1980's:

And here's a couple of my sister and her best friend Laurie:

How They Do That

The mystery solved, thanks to the 1923 Book of Knowledge. Very nice hands, playing cards and numbers.

Things To Do

I recently added a Subject Index right below the Blog Archive, and added a few new labels including All My Favorites 2008 and All My Favorites 2009.

Other additions: Methods (how to) and Triangles.

I can see where there is room for improvement here. Sixty three posts labeled "Artists" seems cumbersome and vague. I'll have to work on fixing that.

Here is another cool page from the 1923 Book of Knowledge:

Making paper boxes is a fun thing to do at holiday time!

Anyone Can Play

From the Book of Knowledge 1923, Volume I.

We have all seen this Magic Kingdom, which is in nearly all our homes. We call in the Piano. Whenever I am there, I am so happy that it makes me want to show you the way, and help you to understand all the beautiful things which the Fairies whispered in the days of long ago.

Best of BoK Volume Nine

These first two plates illustrate an article titled "The Color of the Stars."

The fine print on THE LIGHT THAT EXPLAINS THE STARS TO US reads as follows:

When pure light, as from a white-hot iron, passes through a glass prism, it is broken up into seven colors, called the spectrum, as shown in the first picture. But light from the sun shows, in addition to the colors, various lines, as seen in the second picture. These lines are caused by some of the different substances that compose the sun. Although here we see only a few lines, the sun's spectrum really shows over 2,000 lines. The third picture is the spectrum of a star, Sirius, and when compared with that of the sun, it shows that the stars are made of the same materials as the sun and earth, because the lines in the spectrum for different substances always appear in the same position in relation to each other, as can be seen by comparing these spectra of the sun and Sirius. Although the spectrum color of the metal sodium is yellow, as in the fourth picture, this appears dark in the sun and star spectra, because of the intense light behind it, just as a gas-jet seen in front of the sun's disc appears black; but of course sodium is in the same position in all the spectra.

And HOW THE STAR LIGHT TELLS US OF WHAT THE STARS ARE MADE says:

This picture shows us how the spectroscope is used to enable men to catch the light of a star, and by passing it through a glass prism to bread up the light into various colors. As different metals give off different colors, we can in this way tell of what the stars are made. Ths picture does not show the spectroscope, but illustrates the principle.

This last illustration, A WHEEL A QUARTER OF A MILE ROUND, reminds me of a postcard that was posted recently for Postcard Friendly Friday. The caption reads:

Some of you have seen this gigantic wheel which used to be at Earl's Court in London. This was not the first great wheel to be built. An American engineer, Mr. G. W. Ferris, had seen those curious little upright roundabouts that come to the country fairs, and he thought out the idea and built for the World's Fair at Chicago a big wheel of iron that carried 1,440 people at one time. Then the Earl's Court wheel was built, and this was much more wonderful that the other. It was 300 feet across, and the towers that supported it were 175 feet high. The axle, weighing 54 tons, was hollow, and people could walk through it from one side to the other while the wheel was going round with its 1,600 passengers. The great wheel was turned by a big engine that needed only one man to work it.

The Politics of Timothy Leary

The mushroom plate was a nice lead-in to this second extraordinary find: The Politics of Ecstasy by Timothy Leary (NY: Putnam, 1968).

I was a freshman in high school when it was published. The endpapers are pretty interesting.

1923 Book of Knowledge

I still haven't put the volumes in numerical order to see if the set is complete. I found a few volumes of this set before over the years and removed numerous color plates and b&w photos for my clipping files. I will save this set intact for reference, scanning and blog posting. . . more to come!

Post Holiday Postcards

These two paintings from the collection of The Art Institute of Chicago have been reproduced as part of a set of art postcards from a game called Masterpiece: The Art Auction Game. Above is Thanksgiving ( c. 1935) by Doris Lee.

And this is Peter Blume's The Rock (1948). Hope everyone had a nice Thanksgiving and is enjoying the left-overs on this Postcard Friendship Friday!

Triangular Design

That triangle stamp from Obock really set me off in a new direction. I like the fact that a combination of six equilateral triangles will give me a hexagon. Brings me right back to my "Grandmother's Flower Garden" quilting days.

I love the patterns that can be created out of various elements. I have some portrait drawings which would make nice collages in a style similar to my second Blanche (which is in the collection of artist Charles Kartsonis). I will use the triangle patterns as backgrounds and as frames.

This technique is highly suitable for folks with obsessive tendencies. Since I don't have a punch for triangles, I trace them with a template using a black ultra-fine Sharpie. The outline is retained and when the triangles are positioned on a black lined grid, the double outline effect adds dimension.

I'm using a bead sorting tray to keep my colors separate. Each triangle measures 23/32. It fits on my thumbnail and my nails are short. This technique works best with thin paper. I'm using Thai unryu and another type called Chiri.

The technique is a quilters joy, really, with all these ready-to-apply shapes: custom colorforms applied to gridded 140# watercolor paper. Coat area with Golden's acrylic gloss medium, apply shape, and coat completely with medium.

AnitaNH Cover Contest

There is a nice article in the December 2009 issue of Artforum on the postcards of Walker Evans. "Walker Evans and the Picture Postcard" is the title of the show at the Metropolitan Museum of Art. The show mixes artworks with ephemera from the artist's career, presenting walls of gridded postcards arranged by Walker Evans' own subject categories. Evans was an obsessed collector of postcards.

I was so excited by the dotted design of this month's Artforum cover that I created my own adaptation featuring collage work done during the period 2004-2009. There are 32 collage vignettes. All but numbers 18 and 21 are shown on my collage site.

Vignette number 18 is from a digital collage called Risking Absurdity (Digression No. 1) and vignette number 21 is from a collage called "Pecking Order."

The first person to correctly name the remaining 30 titles will receive their choice of either a set of six AnitaNH Art Cards, or a 90 minute one-on-one collage workshop (transportation to Wakefield, New Hampshire not included).

Invisible Playmates

As a child I had imaginary friends so I thought this first book was a pretty cool find.

This second one has a sticker obstructing a portion of the jacket art. Luckily, the cover art matches the jacket. I love the bright yellow and red diamonds, and the little black dots where they touch.